![]() Were pointed out to me by the nearest neighbour, Trees by the edge of the Glen to supply wood for hisĬoffin. Hugh Bronte was a man who looked before and ![]() Which in an emergency can be used as a club. The bulbous root can be shaped into a handle With constant ca*re it grows thick and strong, and Growth of the main stem is skilfully cut off. Everything that might hinder its well-īalanced development is removed from its vicinity,Īnd any offshoot likely to detract from the perfect As soonĪs discovered it is marked and dedicated for future Not more than one is destined to become famous īut one of the ten thousand appears of singularįitness among its gnarled companions. Like the poet, too, it is a choice plant, and its growthĪmong ten thousand blackthorn shoots, perhaps Though, like the poet, it is developed and polished. The shillelagh, like the poet, is born, not made Hour of conflict it carried him to victory. Under the fostering care of its owner, and in the Like the Arab mare, it grew up to maturity "The shillelagh was not a mere stick picked up forĪ few pence, or cut casually out of the common ![]() Wright describes the process by which Hugh Brontë makes a shilellagh fighting stick which is quite unique and advanced. Elkhart Truth, March 13th 1919īut the most impressive description comes from William Wright’s “The Brontës in Ireland” published in 1893. Various ways could be employed at making the perfect sticks. So big was the demand for the famed blackthorns that the slow growing trees were getting rare and that dealers had to import sticks from America… to sell to American tourists! Grand Forks Daily Herald, September 25th 1908 Here is the link: Ī lot of shillelagh in collections today were made around the late 19th to early 20th century to satisfy the demand of tourists. These pictures will be posted on a Pinterest page for the moment so that they can be easily accessible by anyone. try to include as much information as you can, for example where it came from, how old do you think it is and of course try to photograph its most distinguishing features. If you have any pictures of antique shillelaghs or pictures of people holding them please send them our way. This is the reason why we are trying to gather all the examples we can find in the hope that we can come up with an effective tool to help collectors and scholars. The shillelagh is a symbol of Irish identity but it seems has received very little attention and so it can be quite hard to identify or date a shillelagh which rarely come sin a standard pattern. Shalala was made Chancellor of the University of Wisconsin in 1988, and served in that position until 1993 when President Clinton appointed her Secretary for Health and Human Services.We are presently doing a cataloging of antique shillelaghs which can be found in museums or private collections. In 1980, she assumed the presidency of Hunter College in New York City. In 1977-1980, she served in the Carter administration as an Assistant Secretary at the Department of Housing and Urban Development. Shalala served as Director and Treasurer of the Municipal Assistance Corporation for the City of New York. In 1970-1972, she taught political science at Bernard Baruch College, and between 1972-1979 taught politics and education at Teachers College, Columbia University. During 1966-1970, she served as assistant to the director of the Metropolitan Studies Program, lecturer in social science and assistant to the dean at the Maxwell School of Citizenship and Public Affairs at Syracuse. After graduating from college she volunteered for the Peace Corps and spent two years teaching in Iran. She received her bachelor's degree from Western College for Women in 1962, and her master's in 1968 and Ph.D. Donna Shalala was born in Cleveland, Ohio.
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